As requested, this review is leveled at harsh<\/em>. Thus, this review is going to be very sharp and cutthroat. However, I want to preface with this: <\/p>\n\n\n\n Your writing is very good so far. You do an awesome job of setting up the scene and providing details around the world and setting. I can gain a really clear image of what is happening and going on. <\/p>\n\n\n\n With that being said, here is the biggest issues I noticed: <\/p>\n\n\n\n Notice there is one trend between all three of these book excerpts. Take a close look. It\u2019s run on sentences. Run on sentences, galore. While you are pretty skilled at creating a scene and setting the imagery, you have to be very careful with those run on sentences. If you are not, those same beautiful details will not read the same way you intend it to. <\/p>\n\n\n\n Take for example, let\u2019s take a look at the first screenshot. <\/p>\n\n\n\n Since I can\u2019t copy lines from Webnovel I\u2019ll just refer to screenshots and occasionally type down the quote. <\/p>\n\n\n\n Examine here: <\/p>\n\n\n\n \u201cThe wind brushed Alika\u2019s tear-stained face, her long fiery auburn hair whipping across her back, the seagull\u2019s cries filling the air. She wiped her cheeks with the back of her sleeve and allowed herself one last sniffle before biting down on her lip to stop any more of the tears from rolling down<\/em>.\u201d <\/p>\n\n\n\n This i first line in the book, and don\u2019t get me wrong, it\u2019s great, it\u2019s amazing. I love how it sets the scene perfectly. It also gives us a hint of who Alika is, and why readers should sympathize with her. But the major issue is, this is the first line in the book, and it reads like a mashup of images, rather than flowing sentences. <\/p>\n\n\n\n See here the suggested edit: <\/p>\n\n\n\n \u201cThe wind <\/em> In the distance, she could hear the cries of seagulls filling the air. <\/em> <\/p>\n\n\n\n Sniffling, she wiped her cheeks with the back of her sleeve <\/em> She allowed herself one last sniffle before biting down on her lip to stop any more of the tears from rolling down<\/em>.\u201d <\/p>\n\n\n\n Notice the generous use of periods, commas, and paragraph spacing. It is good practice and habit to make a new paragraph line every time a character changes thought, when you change a scene, and when someone new is speaking. It is also good practice to separate the paragraphs to make for a cleaner reading experience. Especially since most readers are now reading on phones, it\u2019s important to use that space bar in good balance. <\/p>\n\n\n\n But, back to main focus of this suggested edit. Notice how each of these individual sentences have completely different images. When it was mashed together before as run on sentences, there were images about the wind against Alika\u2019s face, her hair, the seagulls, and then her cheeks, etc. etc. It was a lot of images to get lost in for just two sentences. <\/p>\n\n\n\n I would say this is probably the biggest issue I noticed. You write quite wonderfully, and there are very few other grammatical errors, but those run on sentences show up quite a lot. They mostly show up when you are describing things in great detail. I would say you aren\u2019t alone with this issue. A lot writers often struggle with keeping a balance between detail and the length of a sentence. <\/p>\n\n\n\n Take a look at this sentence from the published book, Atonement by Ian Mcewean. <\/p>\n\n\n\n \u201cOnly when a story was finished, all fates resolved and the whole matter sealed off at both ends so it resembled, at least in this one respect, every other finished story in the world, could she feel immune, and ready to punch holes in the margins, bind the chapters with pieces of string, paint or draw the cover, and take the finished work to show to her mother, or her father, when he was home<\/em>.\u201d <\/p>\n\n\n\n This whole excerpt is ONE WHOLE SENTENCE. I have not edited it, or changed anything. This is a single sentence. <\/p>\n\n\n\n Those are the types of lines you want to avoid. I would say the easiest way to work on this is making sure to pay attention to how long your sentences are <\/p>\n\n\n\n First impressions:<\/strong> <\/p>\n\n\n\n There is way too much blank space between the text. I don\u2019t know if that is a formatting issue from Royal Road or if that\u2019s from you using the space bar too much to make up for the wordcount. <\/p>\n\n\n\n Also, on first read, Seth Francis Haro<\/em> sounds like a grab bag of names smashed together without reason or context. Is Seth American? Or is he French as indicated by the Francis? How about Haro? That sounds like a name of Asian Origin, but overall, all of these names feel abnormally placed together. <\/p>\n\n\n\n The full name bit is also a little clich\u00e9. As a reader do I really need to know the entire name of your main character? Does it have any significance to the story? If it does, I don\u2019t know, you didn\u2019t tell me. And, if anything, it\u2019s making me confused, because I now have 3 names to remember all are from the same character. <\/p>\n\n\n\n The character introduction of Seth doesn\u2019t give any interesting information, if anything it makes me feel like I\u2019m reading Seth\u2019s bio on his social media page. When you are doing a character intro, it\u2019s important to remember that you want the character introduction to be memorable, interesting, and tell us readers ONLY what we need to know that is important for the plot or characterization. <\/p>\n\n\n\n Seth lives with his dad. Okay. How does Seth feel about that? This is in first person pov right? Is his relationship with father estranged or tense? Does he like his dad? Did the death of his mother give him emotional scars and trauma he\u2019s fighting to deal with this day? Tell us a little about this because right now as a reader I don\u2019t have a reason to care about Seth. Considering he\u2019s the main character, you don\u2019t want a reader not caring about your main character, you should want us to be interested by your main character within the very first few pages. <\/p>\n\n\n\n “Walking to the way to the Roosevelt Franklin School<\/strong>[.]<\/strong>\u201d<\/strong> <\/p>\n\n\n\n What is this line? Is it dialogue? Is someone speaking? Is this what Seth is thinking about? Please remember that dialogue 99% of the time should be in this format: <\/p>\n\n\n\n Double Quotations \u201c\u201d + Dialogue (what is being said) + Punctuation (periods, commas, question marks, etc.) + Speaker Tag (aka he said, she said, they said, etc.) <\/p>\n\n\n\n EXAMPLE<\/em> <\/p>\n\n\n\n \u201cWhat\u2019s up, Danny?\u201d Sarah asked. <\/p>\n\n\n\n **Note:<\/em><\/strong> The only time you see the speaker tag dropped is when readers KNOW who is speaking. See example below:<\/em> <\/p>\n\n\n\n EXAMPLE<\/em> <\/p>\n\n\n\n \u201cNothing much, Sarah,\u201d Danny said, giving her a smile. \u201cHow about you?\u201d <\/p>\n\n\n\n \u201cDoing cool.\u201d She nodded. \u201cDid you see Katie yesterday?\u201d <\/p>\n\n\n\n \u201cNo, I didn\u2019t. Did you?\u201d <\/p>\n\n\n\n \u201cNope.\u201d She sighed. \u201cShe hasn\u2019t been coming to school lately, and when I went to her house, her parents said she wasn\u2019t home. I\u2019m getting a little worried.\u201d <\/p>\n\n\n\n Danny shrugged, and continued walking the normal route to school with Sarah following close. \u201cWhy are you worried?\u201d He adjusted his backpack straps. \u201cShe\u2019s probably with Will.\u201d <\/p>\n\n\n\n \u201cI hope so,\u201d she said, frowning. \u201cI really hope so.\u201d <\/p>\n\n\n\n **<\/em>Note:<\/em><\/strong> In this example, I did my best to try and show the difference in grammar for different types of dialogue types because I noticed many beginner (and sometimes even professional) writers make similar mistakes with the grammar for writing different dialogue types. <\/em> <\/p>\n\n\n\n Okay, now back to your story. <\/p>\n\n\n\n \u201cMaking <\/strong>[a] <\/strong>right at the corner.\u201d<\/strong> <\/p>\n\n\n\n Making what a right at the corner? I don\u2019t know where we are. The setting and scenery haven\u2019t been told to me. I didn\u2019t even know Seth was walking. All I see is a blank image and I have no idea where you want to be imagining I\u2019m at with Seth. <\/p>\n\n\n\n \u201cGrandpa said that after my mom died, dad went through a lot of depression <\/strong>[try the synonym grieving and\/or tears] <\/strong>[.] <\/strong>(this was a long run on sentence. Also, you may want to consider including the word I highlighted in yellow. This is because you cannot really go through \u2018a lot\u2019 of depression. It is a clinical disorder. It might be better to say that he went through a lot of grieving and tears. But that is just a suggestion) <\/em><\/strong> …<\/strong> <\/p>\n\n\n\n I raise my head.<\/strong> <\/p>\n\n\n\n …<\/strong> <\/p>\n\n\n\n I thought…<\/strong> <\/p>\n\n\n\n Suddenly stopped with a shocked face.\u201d<\/strong> <\/p>\n\n\n\n What is going on? I am not sure where we are and what is even going on. Give me some detail about the setting and why Seth is thinking about his grandpa and his parents. I know I don\u2019t suddenly think about my past while I\u2019m supposed to be walking to school (that is if he\u2019s walking to school because I\u2019m not really sure), so why is Seth thinking about his whole life story right now? <\/p>\n\n\n\n Also, what is \u2018Suddenly stopped with a shocked face.\u2019<\/em> Who suddenly stopped with a shocked face? Stopped where? And what does his shocked face look like? <\/p>\n\n\n\n \u201c\u2026that my lover, Aleesha Ria Zhang would betray me with one of my best friends…\u201d<\/strong> <\/p>\n\n\n\n Again, with the names smashed together? Also, why is Seth saying his lover? This is in first person who is he talking to? He makes it sound like he\u2019s speaking to an audience. Seth knows that is his love, so why would he describe something he already knows? <\/p>\n\n\n\n \u201cForced brakes sounds”<\/strong> <\/p>\n\n\n\n What are forced brake sounds? I don\u2019t know what that is supposed to sound like because it was not described to me. And, don\u2019t be afraid to use Onomatopoeia, that is, writing sounds. See example below: <\/p>\n\n\n\n EXAMPLES <\/p>\n\n\n\n 1. Bang! Bang! Bang! <\/em>She shot her gun. <\/p>\n\n\n\n 2. \u201cWoof!\u201d The dog barked. <\/p>\n\n\n\n 3. \u201cAHH!\u201d The man screamed. <\/p>\n\n\n\n 4. WHOOSH! <\/em>A burst of air came out of nowhere. <\/p>\n\n\n\n **Note:<\/em><\/strong> the difference in grammar for each sentence. Dialogue tags only go on sounds when it is being spoken by someone either a person or an animal. <\/em> <\/p>\n\n\n\n Overall Thoughts: <\/strong> <\/p>\n\n\n\n I think what this story would benefit the most from is just the addition of descriptions. It\u2019s a typical rebirth\/reborn in another world story that has the potential to be interesting. However, from the first chapter alone you haven\u2019t given me as a reader, a taste of that interesting world. As a writer, the first few chapters are so critical for you hook me onto to your story. I know the latter half of the first chapter started to peak up steam, but the beginning alone did not hook me to the story. You could also benefit from some editing because there are some weirdly worded sentences and while the grammar is alright for the most part, there are some areas I noticed were just iffy. <\/p>\n\n\n\n Overall, I hope this review wasn\u2019t too harsh, I just wanted to be as clear as possible so that in the long run you can benefit and improve your work for long-term success. In end these are all just my opinions and suggestions and you can take them with a grain of salt. <\/p>\n\n\n\n Best of luck, my friend.\u00a0<\/p>\n\n\n\n![\"\"](\"https:\/\/audertistnovels.com\/wp-content\/uploads\/2024\/05\/image-1-1-1024x197.png\")
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<\/figure>\n\n\n\nbrushed<\/s><\/em> grazed <\/em>[suggestion: wind cannot really brush skin since it cannot physically move the skin. It might be more accurate to say it is touching or grazing skin]<\/em> Alika\u2019s tear-stained face, and her long, fiery auburn hair whipped across her back<\/em>.<\/em><\/strong> <\/em> <\/p>\n\n\n\nand<\/s><\/em>. <\/em> <\/p>\n\n\n\nand <\/s><\/strong>[He] <\/strong>never looked for <\/strong>someone<\/s><\/strong> <\/strong>[anyone] <\/strong>else<\/strong>[.]<\/strong>but <\/s><\/strong>When he looks into my blue eyes, he sees mom and that’s why he works so hard for me to become someone <\/strong>[Someone what? Someone special? Great? You tell me]<\/strong>. I <\/strong>won’t <\/s><\/strong>[don\u2019t want to] let him down.\u201d<\/strong> <\/p>\n\n\n\n